How Wonderful Life Is

My favorite thing to paint again— mason jars. The aqua ones are especially beautiful paired with any color flowers. I just can’t resist.

I Got You Babe

I have painted with this color combination before.Although yellow and blue are not complementary colors the two colors together are very pleasing.I did an approach to this painting in a whimsical style. This gives a feeling of movement and excitement in the painting.

Exceptionally

We have been doing some remodeling and home repairs lately so I haven’t been posting much. When I say we I mean professionals are doing it and we are watching. But it is still disruptive. A few days ago I was blocked from my studio so I worked on some watercolors at the kitchen table. I haven’t used watercolor in a long time but it all came back to me. Art is art.

I Think You’re Pretty

Of course here is another garden painting. I feel there are endless ways to paint these garden or wildfire paintings.It is mostly intuitive in that I just go with the creative flow. The end result is usually unrecognizable from the reference drawing or photo. Always a surprise!

Great Outdoors

My good friend took a photograph near the Tennessee River Park in east Tennessee. I was struck by the wonderful movement that I saw that made me want to paint the scene. The white flowers are the center of interest in the painting but other elements draw the eye into and around the rectangle ending with the setting sun. I hope viewers are drawn into the painting and enjoy time spent there.

Manor Blooms

I don’t know how many times I have painted hydrangeas, but I never tire of painting them.  At first glance they appear to be simple enough. The challenge is to give each bloom a spherical form. This is done mostly with value.The light usually hits on top or to each side so the bottom part is usually darker. I remember in college painting a live model. Our professor was trying to teach us to draw a head with volume. More than 40 years later I remember the elation I felt  the exact moment I got it! Money can’t buy that feeling. I still feel that way when I paint something I am proud of. The secret of life is always having something else to learn or discover.

Summer Stage

Paintings usually have a kind of temperature.A painting of a field of sunflowers or a fall tree scene would usually have a warm temperature. This painting of summer flowers has a few warm colors in it but the overall temperature is cool. Although there are greens ; the colors are intentionally grayed  and blue toned. It is usually something I decide before starting the painting but often it just happens as I am painting— like a Ouija board taking over!

Geranium Window

Geraniums seem to strike a chord in people. I think it is not just the bright reds and pinks but also the sturdy cheerful nature of the plant. Compared to some of the more delicate flowers that bloom at the same time, these flowers are the work horse of the garden. Rarely are they seen just growing in the flower beds. They are very content to sit in pots and hang from porches to proclaim that summer is here.

Nostalgia

This painting called for a more subdued color palette. Because I was painting this old fashioned vase and roses the soct greens and pinks were more appropriate. I sometimes go to some of the big antique malls that have different booths for sellers. It is a little overwhelming to see so many objects displayed there. This vase is an example of the kind of thing someone might find  that probably belonged to a grandmother long ago. It is hard often to evoke a mood in a painting but this one was easy to do that just with color.

Side Effect

I try to dabble in abstraction but it is not as easy as it looks. I love abstract painting because the colors and shapes evoke an emotion in me. These flowers are not extremely abstract but they are not an attempt at realism. I figure if I just keep at it I will get there!

The In Crowd

I like  close up views more than far away views. This painting just shows a partial view of the bucket and some of the flowers.It gives a better view of the shapes and colors and becomes more abstract so that the important things are the essence of the painting.

Up For Grabs

Every painting is not an instant success.I finished this painting and looked at it for a few weeks but was not pleased with it.If I am not drawn to the painting I figure no one else will be. So I changed the flowers and some of the colors in the bottles. I can now look at it and feel at home.

Fresh Faces

Certain color schemes cause a little thrill in me.I love the reds and pinks of the flowers but when combined with the blue and white vase something occurs that I can’t explain. Maybe magic; whatever it is I am lucky to be able to get to do this “job”.

Done Deal

This floral painting of a field of poppies is what I consider to be mostly abstract. It is still recognizable as flowers but on close examination is just different colored shapes that build up to create a meadow that reads as flowers. To me it much more interesting than a truly photo realistic version of flowers.This method seems to move the way the flowers might on a windy day.

Reminds Me of You

The thing I like the most about this painting is the immediate sense of pleasing color. I have to admit that I didn’t exactly plan it that way. Of course I had in mind certain colors that I knew would complement each other and I had an underpainting that would also work with the colors.But things don’t always just click but this one did. Now I want a dress  with  these colors, and a sofa and maybe some shoes.

Hide and Seek

I am back to the meadow painting again; this time with brighter colors. I started with a warm underpainting that sometimes peeks through the top layers of oil painting. In this kind of painting I do try to do it all in one session but often come back the next day to add some fine line details like stems and grass marks that work better after the first layer has dried a little. The title Hide and Seek applies tothe fact that there is depth to the painting- the more you look at it , the more there is to see.

Zinnia Zing

Zinnias are in my top five favorite flowers. Who am I kidding; my top five is much larger than Five. I love the shape of the petals and the variety of colors is thrilling, they all complement each other.The flowers are so bright and cheerful; the stems are sturdy and long lasting. This aqua vase is the perfect container for these flowers. Perfection!

Hey Good Looking

 This small 8x 10 painting is a close up perspective painting. Although it doesn’t lead the eye down a long road as in a landscape, it does take you through the picture plane. Because of the size of the pots, most viewers start looking on the left and travel to the right toward the smaller pot. The break in between allows for a rest for the eyes. All of these decisions are conscious but after years of painting just happen without much planning.

Lost Meadow

The title Lost Meadow tries to convey the feeling that no humans are around or have had occasion to have been here. The beauty of the meadow and the view of the distant mountain are just there for the sake of nature. Perhaps someone will soon come along to discover it and hopfully not spoil the beauty.

Hot Topic

I often finish a painting in one session and am satisfied with it. I thought I had with this one. I kept walking by it and a feeling like something just wasn’t right. I did this for a few months because I couldn’t quite figure out what it was that bothered me. This week I decided to be brave and put it back on the easel . I just started adding colors and changing areas realizing what the painting needed was some depth. One of the hardest things is to know when to stop!

Impact Statement

There is something to be said for drama in a painting; especially when dealing with a subject matter like flowers. Flowers are by nature not necessarily an exciting subject matter. But the way they are painted can make them seem to be. One way to do that is by use of contrast of dark and light colors. In this painting there is a natural light color in the white hydrangea. By using a dark blue in the background, the white really stands out in the painting with a lot of drama.

Winter Protocol

Painting white flowers requires a restraint and a skill to use subtle color. If you look closely you will see many color in the whites including many neutral tones. White reflects the colors around it so unless the white flowers are in a snowbank in the arctic they will be full of color. That arctic painting would be very boring!

Well Done

I love bright colors but this painting is more about complementary colors. What pleases me most about the painting is the relationship between the greens and the reds and the pinks. This  is the reason nature is so beautiful; complementary colors occur naturally outdoors. No one has to arrange the colors- - they are already there. When arranging an indoor still life some care has to be taken though. If everything in the arrangement was a bright loud color, one’s eye would have nowhere to rest. That is why I use plenty of neutral colors like gray and also complementary colors to create perfect color balance.

Bench In The Garden

This painting shows a little more perspective than I usually do when just painting a floral. As a landscape there is a bit more depth shown because the bench is in the distance in the garden. The intent is to lead the viewer’s eye through the oainting to the center of interest.

See you on The Other Side

There seems to be a trend now for paintings of whote flowers. I think it is because gheyare looked on as being neutral which fits into a lot of decoratinb shees.This is fine with me but I should remind the viewer that white isnever  just white..I see all kinds of colors in these late fall flowers 

Trade Deal

the varirty of blues in the world is amazing. The good thing is that when using them in a painting  you really can’t go wrong. The colors qualify as analogous colors ( neighboring colors) so they always go together. For this painting I used a cool light ultramarine with a blue green. Perfect!

Color Theory

i painted this large 30x 40 acrylic painting for my solo show at the Botanic Garden. The flower theme was perfect for the setting on the garden. The painting reminded me of the colorful artwork of Peter Max in the 70’s. If you aren’t familiar with his work, look it up. Think Beatle’s Yellow Submarine. It was fun- Everything came straIght from my imagination.

ALL RIGHTS RESERVED

When I first started painting it was the shapes of the flowers that was intimidating.After I felt comfortable with those it was glass that was the next hurdle - usually mason jars or smooth glass vases. Of course the next hard thing was cut crystal like this vase. But I finally realized it was just about shapes and colors.You paint what you see, not a vase or flowers. That is why learning to draw upside down is so effective. Of course that only works with photographs unless you are an acrobat!

Made for You

Backgrounds can totally make or break a painting. Originally this painting had a solid blue background. It seemed a good choice because the foreground was pretty busy with the flower pots and flowers and needed a restful space for the eye to rest. I looked at it for a few days but wasn’t satisfied with it and then I remembered a Carla O Connor workshop I attended in California a few years ago. She taught us about using colors close in value in backgrounds to create interest without taking the attention away from the subject matter. So I used different tints and shades of the blue to add subtle interest to the painting without shouting. It immediately became FRENCH to me, the ultimate in ooh la la.

All Dressed Up

One kind of balance is called Asymetrical. This means that if you divided the painting down the middle it would not be equal on both sides. To me it is a more interesting kind of balance but not as easy to do. There has to be enough weight of some kind on each side even if it is negative space. It just takes practice, practice , practice to make it look easy.